Choregraphy : Luis Garay lights : Eduardo Maggiolo with : Florencia Vecino music : Mauro Panzillo

For Luis Garay, choreographing consists in letting the body speak. Therefore he shapes his language right on the personality of his performers. Here, the athletic Florencia Vecino slips into this solo, as if it were her second skin. Hands, arms, legs, chest, face: as it is gradually set in motion, no part of her anatomy is left aside in order to question the idea of boundary and transformation. At times generator of signs, at times repository of our own projections, the performer's body is open to all kinds of interpretations. With the help of the electronic beats by Mauro Panzillo, he takes us down a hypnotic spiral, both physical and philosophical. From motionlessness to trance, from contemplation to fascination.